ABOUT VINAYAK
I am an Indian artist. I want to give Vinayak Arts the status of an industrial and commercial art. My paintings include realistic paintings like still life, portrait, landscape and sculpture. The painting draws the viewer into the tangle of meaning, reveals history in its depth and seeks reverence within the classification of invented iconography. This painting has everything that is required to create paintings related to Indian culture, spiritual and the great hero of the country who dedicated his whole life and Indian social theme which is the message from the point of view of India.
I want to fulfill my dream of depicting the culture of India through new creations in the field of realistic paintings and painting and create a collection of still life, portrait, landscape and many such paintings. Keeping in mind the issues of ethics in sculpture, the aim is to make the society aware about the issues of ethics and their solutions. I have many detailed and delicate 3D floral ornaments and decorative design depiction new images and designs on black or any color surface by composing many themes of Indian culture and society, spiritual theme, ethics, colorful colors, architecture, sketches and compilation themes. I was born in 1983 in Bhandara Maharashtra. After completing my education at (Art Teacher Diploma) Sharad Pawar Chitrakala, Nagpur and (BAF) Sir JJ Institute of Applied Art, Mumbai, I worked in the design field for 7 years, eventually I could not stop the passion inside me to do painting and sculpture work. Started a new art in 2021. I have always been drawn to capturing the reality of my subject, whether it is Indian costumes or architecture.
I do not want to simply represent it, but somehow get under its skin, so that I can feel the texture and feel the mood of the person I am painting. I think to be able to truly portray that simple everyday intimacy that I find so fascinating, I need to immerse myself in making it feel as authentic as possible, only then can I truly lose myself in a painting.
